nettime maillist on Thu, 17 Jun 1999 23:58:13 +0200 (CEST) |
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calin: hello everybody |
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - <nettime-l-temp@material.net> is the temporary home of the nettime-l list while desk.nl rebuilds its list-serving machine. please continue to send messages to <nettime-l@desk.nl> and your commands to <majordomo@desk.nl>. nettime-l-temp should be active for approximately 2 weeks (11-28 Jun 99). - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Date: Wed, 16 Jun 1999 13:57:18 +0100 To: nettime-l@desk.nl From: calin <calin@euronet.nl> Subject: hello everybody While an art school student (and that was ages ago) I was struck by the impassionate and so obviously sterile debate between the members of the art history department and those from the "practical" disciplines, concerning the hierarchical relation between Art and its theory. I wouldn't get back to this common place consolidated during the Renaissance, (on whose resistance as a mental refuge I already wrote sometime ago on this list), if the recently decided Ars Electronica net prize wouldn't have stirred up a kindoffa simmilar nervousness. If I totally aggree that art can be crashingly boring, so is the assumption that software per se can be otherwise - except for a small circle of initiated people. More than that, the beauty of software - which is a reality that I wouldn't dare question - is getting old extremely fast when made available only via utilitarian functions. A smart house or a robot can give me magic as far as I will not get used to them. But they should be built precisely for the purpose of being used. While if the magic is generated just for its own sake, both the hidden part (software) and the obvious part (the art, I'm afraid) will support each other's survival. People need magic, and if it is called art or anything else - they will still look for it. But to think that there is a top-down relation in the magic production mechanism is at the best a proof of the fact that our IT culture and understanding are still in a juvenile stage. If passing through Venice this summer, have a look at the work of Csorgo Attilla, one of the artists from the Hungarian Pavilion in the Giardini. The magic of his work is a good example for my above statement: it comes from the extreme simplicity of both the visual and technical aspects of the discourse, which makes obvious the techne just in order to let the bewilderment free. Calin Dan Rozengracht 105/D4 NL 1016 LV Amsterdam t: + 31 (0)20 770 1432 f: + 31 (0)20 623 7760 calin@euronet.nl http://www.v2.nl/v2-lab/hd