Sean Cubitt on Wed, 31 Oct 2001 00:44:21 +0100 (CET) |
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<nettime> the time of the preacher |
Geert suggested I post to nettime some notes I did for the Australan list fibreculture, but I had this song buzzing in my head, and I wanted to take an hour to think it through again, otherwise and elsewhere sean it was the time of the preacher, in the year of 01 and the praying is over, and the killing's begun (Willie Nelson) Enough of Eurocentric anti-Eurocentrism. If there is to be a dialogue between cultures, those of us born to the enlightenment rationalism of European modernity have to be able to share another premise, that the revealed word of God redeems, and does so with terrible vengeance on the Great Sheitan. Is it possible to think this way without irony or reservation? For every thousand students who work their way through selected extracts of Said on Orientalism, one reads the Koran, one enquires into contemporary Islam, one engages a Muslim classmate in discussion about his or her religious beliefs. The pretense of liberalism rests on maintaining difference through a double disavowal: the 'I know but . . . ' of neo-racism (Balibar's term for racism built on cultural rather than genetic difference) masks a further insult: 'I don't know but all the same . . . '. Though Bush is the ugly archetype, the millionaire's boy who refuses to dialogue, the liberal West is the same -- unwilling to do the work necessary to understand Islam, fundamentalism, the power of revelation and the ethics of Shariah. Behind this yet another sanctimony: 'I do not care to know' about my own culture. It is now once again unkind, threatening, joyless to suggest that women are at least as humiliated by fashion in the West as by the chador; or to note that exclusion from education is enacted on the grounds of race in the West as actively (but less honestly and explicitly) as it is on grounds of gender elsewhere. There exist a minority who suffer from glandular disorders. There are far more who are obese from over-consumption and lack of exercise. There exist a minority who for one reason or another have impaired intellectual faculties. There are far, far more who are wilfully ignorant, because they could not be bothered to learn. The vast majority of ignorance is self-inflicted and to that extent scarcely forgiveable. You can only blame the media so much, just as you can blame the food industry so far and no further. After a certain point, you have every opportunity to eat better, cheaper and faster. Beyond a slothful habit, there is no reason to read the tabloid press or watch the tabloid TV news. Bin all the saccharine novels about lousy love affairs in failing record shops: it is time to read Robert Fisk's Pity the Nation. Peace has an image problem. It's like Talking Heads said about heaven, where the band plays my favourite song over and over and over again. That isn't peace: that's FM radio. Peace will not be easy. It takes an intense effort to understand your own culture (and most of us misunderstand it in some degree, but then the misunderstanding, if attempted with enough effort, is the culture). Understanding another demands more even than that, and the costs of misunderstanding can be high. Not, however, as high as the cost of refusing to understand, the effortless acceptance of ignorance, the wilful failure to even attempt to listen, the dumb and dumber aplication of cowboy rhetoric a hundred years after Willie Nelson's 'year of oh-one'. Those who recall the BBC's Troy Kennedy Martin scripted series Edge of darkness -- the last time British TV dared a really political script -- will remember that the song's preacher was a gun. There is a theological argument that all peace and all understanding derives from God. It is not too far from the surface of much Western philosophy and a great deal of Western popular culture. Without the grounds of a divinely guaranteed truth, the argument runs, there can be no basis for dialogue. We only have God's word for it, but it is the word of God. Kant's premise of a world existing in and for itself beyond human discourse is a secular variation of the same theme and underpins scientific rationality. Western science has rarely strayed too far from its drive, in Hawkings' phrase, to understand the mind of God. The problem here is that we tend to ascribe to God the attributes of a human mind: The God my God is a jealous God, the vengeance of the Lord, the wrath of God. That is understandable, at least. What is less comprehensible is the belief that human intellect is capable of interpreting the word of the Lord better than She can do Herself. The problem is not the revealed word so much as the self-annointed translator. Tradutore tradditore. God, as the Spanish proverb has it, writes straight with crooked lines. That unfathomable wisdom is fathomed too often. Thesis One: certainty is the enemy of peace I do not mean Cartesian systematic doubt, grounds of the Western scientific tradition. Descartes erected enough certainty to allow himself to exist. The criticisms are familiar: what is this 'I' that thinks; what is this that we call 'thinking'; is it a proof of existence or of some other thing or process? And where do all these things occur, and when? The answer to the latter question is 'here and now', of course. That is the precise and exact problem. Western culture, as pretty much everyone who has been awake for the last fifty years has spotted, is shrinking in space and time. This too is a theological drift. God's existence underpins Being (secularists can reorder the words to get a definition of the godhead). Unchanging and self-present, it cuts across the shifting, changing mortal world, Benjamin's messianic time. This is the time occupied by the planes slicing into the Twin Towers under that impossible tungsten sky. This is why the images look so much like Hollywood movies: the act of 'terror' is only the obverse of the sublime event, and both exist to evacuate the present of anything but the assured presence of God or, in the USA, of Evil. The absolute is not communicable. It lies beyond history. Thesis two: the sublime is the enemy of peace And the obverse, again: peace is the enemy of the sublime, as it is of certainty. Peace is unstill. It is unstill because it does not exist, or more specifically because it does not yet exist, even though the necessary qualities exist in the world for it to come to being. There is enough wealth to go round. It has simply been hoarded. We have -- right here in front of us -- the wherewithal to speak nation unto nation. Only our most subtle and passionate modes of communication have been usurped by those beloved of the powerful -- weapons -- and the wealthy -- cash. Guns and money (and lawyers) speak. They are, of course, all three incapable of hearing. Very stupid media. Talk about dumb terminals. And yet we let these sons of millionaires determine the modes of communication available to us. What else then? Making. Shared materials and shared work on them is the last best hope. The vast geography of pan-terran art made of the energy and patterns at our fingertips, among many other modes. Work today is no longer the mastery of materials. It is surrender to their difference. As we increasingly recognise in daily dealings with digital media, the mediasphere and the technosphere are inseparable. We are learning to dialogue with these machines. All other media increasingly appear to us as partners rather than slaves, an ecological alertness. Nothing more peaceful than tinkering with the code, the patterns of energy, the clay, letting it shape our hands and eyes to conform with it in a mutual loss of certainty, and mutual appreciation of the time and the effort of making. The sculptor does not overcome, the architect does not master, the webweaver does not overthrow the freedom of their materials. Victory over materials is defeat. Thesis three: peace is the surrender to difference . . . and he cried like a baby, and he screamed like a panther in the middle of the night and he saddled his pony, and he went for a ride . . . (Willie Nelson) (((To Ephemeral Peace, a different take on similar themes, was posted on fibreculture http://lists.myspinach.org/cgi-bin/mailman/listinfo/fibreculture. A formal version is coming out early next year in the International Journal of Cultural Studies, vol 5 n 1. The surrender to difference is developed there. ))) Sean Cubitt Screen and Media Studies Akoranga Whakaata Pürongo The University of Waikato Private Bag 3105 Hamilton New Zealand T (direct) +64 (0)7 856 2889 extension 8604 T/F (department) +64 (0)7 838 4543 seanc@waikato.ac.nz http://www.waikato.ac.nz/film/ Digital Aesthetics http://www.ucl.ac.uk/slade/digita The Dundee Seminars http://www.imaging.dundee.ac.uk/people/sean/index.html # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net